Penelitian ini bertujuan untuk mengetahui bagaimana Studi Dramaturgis denganbr / Pendekatan Interaksi Simbolik Mengenai Pengelolaan Kesan Pemain Kostum Kartun Jepang dalam Eventbr / “Second Anniversary Cosplay Bandung” Di Braga CityWalk dengan indikator Panggung Belakang,br / Panggung Tengah, Panggung Depan, dan Dramaturgis.br / Penelitian ini menggunakan metode penelitian kualitatif. Dengan pemilihan informanbr / menggunakan teknik sosiometrik. Adapun teknik pengumpulan data dengan menggunakan wawancarabr / mendalam, pengamatan berperan serta, studi pustaka, internet searching dan dokumentasi. Padabr / penelitian ini subjeknya adalah cosplayer (pemain kostum kartun jepang) dengan rentang usia antara 18-br / 46 tahun. Informan penelitian berjumlah 7 orang.br / Hasil penelitian ini menunjukan bahwa dalam Panggung belakang (Back Stage)br / Pengelolaan Kesan yang dilakukan oleh Pemain Kostum Kartun Jepang, ketika tidak sedang memainkanbr / perannya sebagai cosplayer, mereka dapat berbicara sebebas mungkin dan tidak perlu bersandiwarabr / dalam mendiskusikan konsep Ragnarok Online, pelatihan dubbing, pelaksanaan dubbing, merancangbr / kostum, mempersiapkan alat make up Geisha, atribut, properti dan hal teknis lainnya, dan ketikabr / melaksanakan latihan intensif. Dalam Panggung tengah (Middle Stage) Pengelolaan Kesan yangbr / dilakukan meliputi gaya bicara, penampilan, penguasaan situasi, sikap dan perilaku yang meliputi ruangbr / lingkup latihan ingatan emosi amarah, latihan ingatan peristiwa, adegan tunggal/menghafal adeganbr / sendiri, adegan berpasangan aksi reaksi, adegan kelompok; Narrative Pantomime, Dubbing, Normal,br / Slow and Fast, Tree Ways Conversation, One Word, One Sentence, Singing Dialogue), berfoto, ataubr / mengobrol tentang Ragnarok Online. Dalam Panggung depan (Front Stage),pengelolaan kesan yangbr / dilakukan meliputi gaya bicara, penampilan, sikap dan perilaku yang meliputi ruang lingkup adeganbr / teatrikal tentang Ragnarok Online, adegan tarian, serta walk street , dan juga jarak peran antar pemain,br / jarak sosial kepada penonton untuk mendapatkan kesan yang cosplayer inginkan (kesan keren, kreatif,br / lucu dsb).br / Simpulan dari penelitian Studi Dramaturgis Pengelolaan Kesan Pemain Kostum Kartunbr / Jepang menunjukan bahwa cosplay layaknya sebuah panggung sandiwara, setiap cosplayer berlombalombabr / melakukan pengelolaan kesan untuk menampilkan citra diri yang positif. Namun karakter aslibr / cosplayer masih terbawa ke dalam panggung depan yang seharusnya hanya memainkan karakter tokohbr / mereka saja. Selanjutnya disarankan sebaiknya para cosplayer lebih profesional dan menambah porsibr / latihan serta memperbaiki komunikasi diantara anggota sesama tim.

This study aimed to approach Dramaturgis Study of Symbolic Interactionbr / Management Impression of Japanese Cartoons Costume Players in Event “Second Anniversarybr / Cosplay Bandung” At Braga CityWalk with indicators Back Stage, Center Stage, Front Stage,br / and Dramaturgis.br / In this research used qualitative method. With this selection of informans usedbr / sosiometrik techniques. The data collection techniques used in-depth interviews, participantbr / observation, book study, internet searching and documentation. In this research subject isbr / cosplayer (Japanese cartoon costume players) with an age range between 18-46 years.br / Research informants amounted to 7 people.br / The results of these studies show that the Back Stage The management ofbr / impressions made by Japanese Cartoon Costumes Players, when not playing its role as abr / cosplayer, they can speak as freely as possible and not have to be on the stage of discussing thebr / concept of Ragnarok Online, training dubbing, dubbing implementation, costume design, makebr / up Geisha prepare equipment, attributes, properties and other technical matters, and whenbr / carrying out intensive training. In the middle stage Impression Management performedbr / included speaking style, appearance, control of the situation, attitudes and behaviors thatbr / include the scope of the anger emotion, memory exercise events, a single scene, the scene ofbr / action reaction pairs, the scene group (narrative pantomime, dubbing, normal, slow and fast,br / ways conversation tree, one word, one sentence, singing dialogue), take pictures, or talkingbr / about Ragnarok Online. In front stage. Impression management is carried out includingbr / speaking style, appearance, control of the situation, attitudes and behaviors that include thebr / scope of the theatrical scene about Ragnarok Online, the dance scene, and the walk street, andbr / also the distance between the role players, the social distance of the audience to get thebr / impression that cosplayer want (the impression of cool, creative, funny, etc).br / The conclusions of the research study impression Management Dramaturgisbr / Players showed that Japanese Cartoon Costumes Players like a stage play, every cosplayerbr / competing to perform Impression Management to show positive self-image. But the originalbr / character cosplarey still carried over into the front stage just play the character of their course.br / Furthermore, should the cosplayer suggested more professional and increase the reps as wellbr / as improve communication among fellow team members

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